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INTONENATION PRESENTS: MEET THE ARTIST SERIES - TONSKI

In this edition of our MEET THE ARTIST series we bring back the Belgian beat meister Tonski! His latest release on Intonenation Axiom “My Everything” is out now on all digital platforms. Stream/buy here https://InToneNation.lnk.to/MyEverything

Dieter Matton, better known by his dj and artist name Tonski was only 15 when he started to spin dance music with a pair of second hand decks. His passion for electronic music was fueled by artists like Jean-Michel Jarre, Kraftwerk, Moby, BBE, Faithless, Green Velvet, Depeche Mode as well as local trance and house DJ’s. He quickly perfected the art of mixing and began to play at the local clubs in his hometown, often having to spin chart and top 40 music. It wasn’t always the music he loved but as he gained experience behind the decks the residencies helped him to assemble an enviable collection of classic dance vinyl.

Gaining a solid reputation as a club DJ led Dieter to an opportunity to play at the ”Porsche” nightclub in Ingelmunster where he met top Belgian DJ’s dj Yves and his brother dj MD. Both were already active in the house scene and had just released a record on the famous Bonzaï Records label under the name "D-vibes". They helped the young DJ Tonski to refine his mixing style for a more sophisticated sound. When MD scored a gold record in Belgium with his track “Rio” (Porshe Records) Tonski had the chance to accompany him to major parties and events where MD would spin. It was a valuable education for a young DJ and Tonski also began to develop his studio production skills as well with the help of Aldo Verbeek, an acclaimed professional sound engineer and producer.

Tonski was then offered the chance to prove himself as a resident DJ at Star Events Parties (well known Belgian parties such as Dance Opera, Cyber Active, etc). During this period he also released his first record as a producer under the monika “Steve Shadow” which was released on Zenith Records and began to work the warm up slot for his long time mentor MD at the “Q-Pit” club. Shortly afterwards he became the main resident DJ at another nightclub and it seemed the time had come for Tonski to take center stage.

1. Hi Tonski! We are so excited about your new release. So, what has Tonski been up to since your last release, “Never Ever,” with JMA on Intonenation?

I spent some time getting my new studio completely in order, buying new software, hardware devices, and the latest Cubase DAW which has changed a lot since a few versions :-). This required some time to understand the operation of the new soft & hardware. I had some releases on the Belgian Judi Records and under a pseudonym on the Dutch Blue Records (Mid-Town) by Erik De Koning (known for the hit Three Drives - Greece 2000). I also made some projects for other Belgian DJs and had a weekly mix show on Dancetunes Radio on Saturday night called "Burn The House" with mostly progressive house & tech house in a mix.

2. Electronic music has been developing at an unprecedented rate in the last few years with new genres and sounds. How has that affected your production style, and which genres do you feel most connected to now?

I have always been a fan of music that triggers an emotion and music that also wakes you up in time. In my sets, I always try to tell a story with these two elements in particular. Usually with a combination of progressive & tech house/techno. Although, I like melodic house/techno. By the way, if you always only play one genre and the same sounds or mood, you have a greater chance of losing your audience. Your music story must always remain exciting :-). Back in the 90s, there were many differences in trance styles... You couldn't compare the trance of Germany & the Netherlands with what was mainly played in Belgium and France in terms of speed, drive, and especially structure. What I played in Belgium was given the "genre name" progressive house style years later. :)

3. “My Everything” has a great vocal hook. What was the process like working with vocals, and do you enjoy it more than producing purely instrumental tracks?

I have no preference between instrumental and vocal tracks. It's important that both, the audience and I, feel good about it. The fact is that tracks with a vocal are more accessible and more likely to get radio airplay, but the "vocal tracks" are not always better....Sometimes I think the vocals make the track less good... But that's my personal opinion... Instrumental tracks sometimes get the airplay they deserve... but it's much much more difficult to convince the radio stations to play the record.

4. "My Everything" is a fresh new sound for 2023. What inspired you to create this amazing track?

Last year I married my girlfriend who I have been with for 20 years. We have a son together who was born in 2009. In our younger years, we worked together in a dance club. I was responsible for the disco booth, and my girlfriend was behind the bar. To this day we are still a good team... now with a teenager. :-). When I was working on a new track in the now-popular melodic techno style, I was looking for a vocal. I found this in a pop music construction cd. Normally this is not used in melodic techno but what is normal! After all, this matched the end result and my wife and son remain My Everything.

5. What can we expect from Tonski for the rest of 2023? Do you have any goals or plans you can share with us?

I still have some promised projects to finish, but after that, I only want to continue working on my own projects. I already have several ideas ready in my head but time has put this on hold. I also have my own music style ready in my head ... When people are ready, releases will follow. ;-)

I've learned to enjoy my studio, to do my thing, and not to stress because things don't turn out the way I thought. You can follow me further via tonskimusic.com. All social media channels are listed there. :-)


INTONENATION PRESENTS: MEET THE ARTIST SERIES - YELOW

Intonenation Meet The Artist Series | Yelow

In this week’s MEET THE ARTIST series we talk with Canadian trance producer Edwin ‘Yelow’ Tsui. A fast rising breakthrough producer based out of Calgary, Alberta. With over a decade of event hosting & club DJing experience (having opened for acts such as Paul van Dyk, Aly & Fila, Gabriel & Dresden, Mark Sixma, Vini Vici and more), he set his sights on music production in 2017 by co-founding the Soundcation Trance Retreat with Dennis Sheperd.

His latest release with Dj Melodie “Crystal Clear” is out now on all digital platforms. Stream/buy here https://InToneNation.lnk.to/CrystalClear

1. How did you start making music and what were your early inspirations? 

I started taking production seriously in late 2017, after hosting a production-based ‘Trance Retreat’ in Bali with Dennis Sheperd. I was inspired by the talented instructors at the retreat including Mark Sixma, Protoculture, Dennis Sheperd, and Sied van Riel - it was so exciting and interesting to take a look at the behind-the-scenes on how music was produced! Aside from learning as the Soundcation / Trance Retreat organizer, I also signed up for Sonic Academy, watched plenty of YouTube videos, and took 1-on-1 lessons to supplement my personal development.

Early inspirations stem from my discovery of A State of Trance in early 2005 and include Armin Van Buuren, Menno de Jong, and Sean Tyas!

2. Where do you see Trance music in 5 years?

I think trance will have a bit of a return to its roots with longer, slower developing tracks - the pandemic allowed many artists to explore music outside of clubs or festival sets. Sound design will also evolve significantly (you can already see it happening with the similarities between melodic techno and progressive trance!).

3. Is this your first collaboration together? What was the process like?

‘Crystal Clear’ is indeed our first collaboration together! We first met on a Trance Retreat I hosted in Phuket, Thailand, back in February 2019 and we became good friends and kept in touch. At one point DJ Melodie mentioned to me that she had a vocal she wanted to develop into a track, and we came up with a few initial concepts. I worked on the main project in Ableton, we bounced ideas and parts back and forth and also worked over Zoom! It took us a while to get it to a state we were both happy with, but with the guidance of JES and the Intonenation Axiom team, we’re really happy with the final product.

4. What was your inspiration for “Crystal Clear”?

I’m typically an uplifting trance producer so naturally, I had to go for a trancey, arp style main melody for the climax, but we wanted to have a very groovy, catchy bassline that would be effective and accessible for both DJ Melodie and myself to play out for a more commercial crowd. For the baseline, we drew on some inspiration from our shared Asian backgrounds with some inspiration from music that is popular with Vietnamese crowds (to which we have both played extensively!).

5. What’s is next for you in 2021?

It's been a very productive year for me with a recent Beatport top 10 remix of Sunlounger which was released on FSOE in June, and aside from Crystal Clear, I’ve got releases lined up on FSOE, Deep in Thought, AVA White, Magic Island! I’ve been working closely with Roger Shah and helping him run his Magic Island label and we’ve collaborated on several tracks which I think will be very well received by the broader trance community! As travel resumes in parts of the world I'm also looking forward to hosting Soundcation Trance Retreats once again with our first one in October before ADE!

Follow Yellow:

Facebook: https://www.facebook.com/djyelow

Instagram: https://www.instagram.com/djyelow

Soundcloud: https://soundcloud.com/dj_yelow

INTONENATION PRESENTS: MEET THE ARTIST SERIES - CHRIS SX

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In this week’s MEET THE ARTIST series we are excited to introduce CHRIS SX. A German trance prodigy Chris SX and Israeli dance phenomenon Spectral join forces for the massive release on Intonenation Axiom The Angelcy.

Listen/Download: https://intonenation.complete.me/theangelcy

How did you start making music, and what were your early inspirations?

I played drums from a young age and started deejaying as a teenager. To introduce my own taste of music into my mixes, I started to do mash-ups and bootlegs followed by my own productions.

Could you describe your sound, and what makes it unique?

The faster bpm is where my heart lies of course - strong, intensive beats and big melodies. But I'm not a prisoner of styles. I always love to add a fresh new taste to my tracks.

How did you get started in the business, and what was your first landmark moment?

I already had some releases under different aliases before starting as Chris SX. But then it went off. My first release was already the 5 years anniversary “Hymn” for the German club event Trance.Mission which brought me in the Beatport charts. But the next track "Sands Beach" topped everything. All Major Deejays played the track including Armin in A State of Trance, which was totally unexpected and made me a little bit proud.

Which do you prefer, producing in the studio or DJ’ing?

Hard question because I love both. Why not say produce live on stage. Would love to do some live stuff like Giuseppe Ottaviani or Activa and John Askew doing it right now. Overall it would be cool to get more on stage time again. The Trance Scene here in Germany and the neighboring countries degreases year by year resulting in less gigs.

What’s next for Chris SX?

I have another tune with Spectral in progress and several tracks and remixes which are planed to get released in the second half of 2020. So there is a lot coming.

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Intonenation Presents: Meet The Artist Series - UNIMI

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In our first “Meet The Artist” interview series, we introduce mysterious Dutch bootleg champion, UNIMI. His latest track out on Intonenation Axiom, Between Darkness, creates the bridge between progressive and uplifting. Listen/download here https://intonenation.complete.me/darkness

1. What inspired you to start making music?

Back in 2009, I received A State of Trance Yearmix by Armin van Buuren. Yearmix of 2008 if I am correct. Fell in love at the first second. At that point, I got interested in Trance music and imagined myself playing this kind of music for such a crowd that comes especially for Trance/Bigroom. I found my passion for music right here!

2. How did you get started in the business?

After I listened to the Yearmix a million times, I met a friend in my neighborhood which already produced dance music. Hooked him up and he learned me the basic’s in Fruity Loops 8 back then. After I knew the basics I started to watch tutorials, spend all my weekends and nights off by producing music. Never stop learning!

3. Could you describe your sound, and what makes it unique?

This is a kinda funny story; my name “UNIMI” actually came alive by the word “UNIQUE” and my real name “Michael”. Which I split up. UNI - MI. Back to the question: my sound is based on different genres. I don’t want to think in boxes and stick to one sound or genre. I always try to find or create a sound or kind of energy where you can remember my track. For instance: in the track “Between Darkness” I used a crashing radio-ish sound through the whole track. This added a kind of energy and a reminder point. Most of my tracks are made between 134 and 150 BPM. The genres I’d like to produce the most are tracks that are energetic, emotional, and fits on festivals or clubs. So be prepared for hard banging tracks!

4. Between Darkness is a great track! What was the inspiration for the song, and how did you come up with the name?

Thanks for the support guys! The track is made back in 2018 and never saw daylight because I was not sure about the track. In November 2019 I found the project file somewhere on my “Backup Drive” and decided to re-produce the track. I started with the melody of this track, added the radiocrash-ish sound to it. And from there it really all came together real quick. The name of the first project was “Between” and the second project I made of this track I called “Darkness”.. added those names together and came up with “Between Darkness”. I think the name really fits the track because its a kind of dark track, but energetic at the same time.

5. If you could collaborate with any other artist(s), who would you pick, and why?

This is an easy one! Armin van Buuren and MaRLo!

6. What’s next for UNIMI?

Currently, I am working hard on new tracks and crafting my own sound. I’ve got an official remix for MaRLo his label “Reaching Altitude” (Sublabel of Armada Music) coming up. Next to that, I have a few tracks that I am working on, varying from 134 BPM Trance to 150BPM Reverse Bass combined with emotional Trance chords. Don’t be a prisoner of your own style!

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